Sunday, 12 February 2012
Cine/8760 - A 24 Hour Online Filmfest!
Talented iCloner AnimaTechnica has pulled together some of the best machinima and anymation available online to create an online film festival. It's a terrific compilation which gives a great view of the "state of the art". Cine/8760 is available here (not sure of the significance of the title). I suggest you hop along there pronto and start watching some great animation!
Saturday, 28 January 2012
Movies that inspired me
There's a very interesting thread over on the Moviestorm forums where users have been asked to nominate their favourite movies for the Hall of Fame. It's basically a list of nominations, (although you're allowed to nominate your own movies, which seems a little odd to me. Even odder, you're allowed to nominate your own movies in secret by PMing Moviestorm!)
I've posted a list of movies which for a variety of reasons have inspired me along the way. Sometimes because of attention to detail, or overall quality, or because of the story, or because it was funny, etc. However, it's not just Moviestorm movies that have encouraged me along the way, so here's my list including movies shot in Second Life, The Movies, and other software;
The Unexpected, by Kkffoo
Saving Grace, by Sisch
Le Rondeau, by Primaveranz
I bin gat wat taem, by Primaveranz
Blue Knights: The Jumper, by act3scene24
Merry Christmas, Sweetheart (number 10), by act3scene24
Control Point, by Mellowhardy
Northern Lasses (series), by Luxaeternam
Albion, by Luxaeternam
Danse Macabre, by Poulet Noir
The Stolen Child, by Lainy Voom
The Wizard of OS, by Tom Jantol
The Shadow Over Innsmouth, by JosephKW
Coming Home, by Lizard
Orientation, by Chantal Harvey
Family Values, by Edan Mackenzie
Generally speaking, these directors only do good stuff - you can pick any of their completed movies and see something impressive. Hopefully there's something in this list that you haven't seen before.
I'd be interested to hear any recommendations you have for movies worth watching. (Other than your own of course...)
I've posted a list of movies which for a variety of reasons have inspired me along the way. Sometimes because of attention to detail, or overall quality, or because of the story, or because it was funny, etc. However, it's not just Moviestorm movies that have encouraged me along the way, so here's my list including movies shot in Second Life, The Movies, and other software;
The Unexpected, by Kkffoo
Saving Grace, by Sisch
Le Rondeau, by Primaveranz
I bin gat wat taem, by Primaveranz
Blue Knights: The Jumper, by act3scene24
Merry Christmas, Sweetheart (number 10), by act3scene24
Control Point, by Mellowhardy
Northern Lasses (series), by Luxaeternam
Albion, by Luxaeternam
Danse Macabre, by Poulet Noir
The Stolen Child, by Lainy Voom
The Wizard of OS, by Tom Jantol
The Shadow Over Innsmouth, by JosephKW
Coming Home, by Lizard
Orientation, by Chantal Harvey
Family Values, by Edan Mackenzie
Generally speaking, these directors only do good stuff - you can pick any of their completed movies and see something impressive. Hopefully there's something in this list that you haven't seen before.
I'd be interested to hear any recommendations you have for movies worth watching. (Other than your own of course...)
Thursday, 12 January 2012
Muvizu - First Impressions
Today I had a chance to see a demo of Muvizu for the first time, capably delivered by one of the developers. I've been aware of the software for some time now but haven't really properly investigated.
As you're probably aware Muvizu is an animation package built on the sublime Unreal engine. It is still in public beta but has a very slick, polished feel. What I was most impressed with were the camera focus and depth of field controls, and the beautiful lighting system which allows the director to create tremendously atmospheric and shadowy scenes.
The other striking thing about Muvizu is the cartoony nature of the characters and props. Any movie made with this software is gonna have to have a punch line!
David, who was demonstrating, claims that Muvizu isn't a competitor as such for Moviestorm (my current weapon of choice), and I'd have to agree, to a point. Sure, it's going to appeal to those of us with a creative need to make animations, but the type of movies you want to make are going to dictate the best tool for the job; you want thought-provoking drama? Moviestorm or iClone is probably the right tool. You want to have a stab at creating your own Toy Story or WallE? Muvizu has gotta be consideration.
Will I give it a go? Probably. If I can ever find the time, and right now isn't the time. Of course I'm notoriously impatient when it comes to learning new applications. But Muvizu did look very approachable.
Have you used it? How did you find it?
As you're probably aware Muvizu is an animation package built on the sublime Unreal engine. It is still in public beta but has a very slick, polished feel. What I was most impressed with were the camera focus and depth of field controls, and the beautiful lighting system which allows the director to create tremendously atmospheric and shadowy scenes.
The other striking thing about Muvizu is the cartoony nature of the characters and props. Any movie made with this software is gonna have to have a punch line!
David, who was demonstrating, claims that Muvizu isn't a competitor as such for Moviestorm (my current weapon of choice), and I'd have to agree, to a point. Sure, it's going to appeal to those of us with a creative need to make animations, but the type of movies you want to make are going to dictate the best tool for the job; you want thought-provoking drama? Moviestorm or iClone is probably the right tool. You want to have a stab at creating your own Toy Story or WallE? Muvizu has gotta be consideration.
Will I give it a go? Probably. If I can ever find the time, and right now isn't the time. Of course I'm notoriously impatient when it comes to learning new applications. But Muvizu did look very approachable.
Have you used it? How did you find it?
Tuesday, 20 December 2011
FILE Rio 2010
Got of lovely email this morning from Fernanda Albuquerque de Almeida who is the Machinima Curator at FILE Brazil. FILE is the Electronic Language International Festival which takes place at various locations in Brazil, and I'm fortunate enough to have had several screenings there before.
Fernanda wrote to tell me that Trichophagia will be screened at FILE Rio 2012, which takes place at the Art Galery of Oi Futuro - Flamengo in Rio de Janeiro from March 12 to April 08.
As soon as I know more information, I'll let you the details!
As I mentioned a few posts ago I have a new script. Most of the voices are in the can, just one more to go before I go into film-making mode proper. In past years I've really made use of the time off over Christmas to jump into making machinima. This year, although I've got this new project to kick off, I'm planning on taking it easy. I'll probably just dip into it from time to time and see how long it takes me.
For you machinima makers out there - do you relish the idea of a bit of time off work to get cracking on your latest creation, or do you prefer to just chip away whenever you can?
Fernanda wrote to tell me that Trichophagia will be screened at FILE Rio 2012, which takes place at the Art Galery of Oi Futuro - Flamengo in Rio de Janeiro from March 12 to April 08.
As soon as I know more information, I'll let you the details!
As I mentioned a few posts ago I have a new script. Most of the voices are in the can, just one more to go before I go into film-making mode proper. In past years I've really made use of the time off over Christmas to jump into making machinima. This year, although I've got this new project to kick off, I'm planning on taking it easy. I'll probably just dip into it from time to time and see how long it takes me.
For you machinima makers out there - do you relish the idea of a bit of time off work to get cracking on your latest creation, or do you prefer to just chip away whenever you can?
Saturday, 5 November 2011
Vive française machinima
The annual Atopic Machinima festival in Paris is coming up this month. It's the third year I've had a film selected for screening there. The first year I was able to go over and enjoy some great films, and meet some interesting people. As always, I had hoped to attend in person again, but due to my workload this won't be possible.
As I type this, I have the French version of Trichophagia rendering specially for the festival. Rather than simply adding subtitles, I've edited every single speech bubble - it was a long, boring, manual task as I hadn't ever intended to do a translated version, so it wasn't really designed for easy editing in that way. The size and location of each bubble couldn't be changed (easily), and some of the text took up a different amount of space to the English equivalent (a problem that is familiar to anyone who has ever had to deal with localising printed material for example). This meant that the point size and leading for each bubble text needed to be adjusted. In addition, it took me a while to find a font that would work - Lucy George who did an amazing job in providing a translated version of the script recommended using mixed case text so that the accents were apparent. Good advice I thought, until I realised that the font I had used in the English version didn't have lower case characters, nor did it have European accents.
I have to say that in the early hours of this morning I was wishing I'd just copied and pasted the subtitles across, and stuck them in Ariel or something equally uninspiring.
Anyway, fingers crossed that the final render looks good.
The majority of movies to be screened at the festival are French, so I'm not too familiar with them. But there are some solid award-winning movies in there that I do recognise - especially Ian Chisholm's Clear Skies 3, and an old favourite of mine Orientation by Chantal Harvey.
If you get the chance to go then I do recommend it!
As I type this, I have the French version of Trichophagia rendering specially for the festival. Rather than simply adding subtitles, I've edited every single speech bubble - it was a long, boring, manual task as I hadn't ever intended to do a translated version, so it wasn't really designed for easy editing in that way. The size and location of each bubble couldn't be changed (easily), and some of the text took up a different amount of space to the English equivalent (a problem that is familiar to anyone who has ever had to deal with localising printed material for example). This meant that the point size and leading for each bubble text needed to be adjusted. In addition, it took me a while to find a font that would work - Lucy George who did an amazing job in providing a translated version of the script recommended using mixed case text so that the accents were apparent. Good advice I thought, until I realised that the font I had used in the English version didn't have lower case characters, nor did it have European accents.
I have to say that in the early hours of this morning I was wishing I'd just copied and pasted the subtitles across, and stuck them in Ariel or something equally uninspiring.
Anyway, fingers crossed that the final render looks good.
The majority of movies to be screened at the festival are French, so I'm not too familiar with them. But there are some solid award-winning movies in there that I do recognise - especially Ian Chisholm's Clear Skies 3, and an old favourite of mine Orientation by Chantal Harvey.
If you get the chance to go then I do recommend it!
Wednesday, 19 October 2011
Trichophagia at MachinExpo 2011!
Just got news this morning that Trichophagia will be screened at Machinima Expo 2011! The Expo weekend is the 19 and 20 November in SecondLife, but films will be screened for the preceeding week, and for the week after. Keep an eye on the Machinima Expo blog for further details.
Thanks to Ricky Grove, Kate Fosk, Kate Lee and Damien Valentine (who comprise the screening team)for selecting my movie.
I'll need to dust down my Steampunk costume if I'm to make an appearance!
Thanks to Ricky Grove, Kate Fosk, Kate Lee and Damien Valentine (who comprise the screening team)for selecting my movie.
I'll need to dust down my Steampunk costume if I'm to make an appearance!
Sunday, 16 October 2011
Andover screenings, more submissions, and a new script...
The Andover screenings for Ruth went well. The venue had changed from the original plan to a much larger auditorium in the Andover multiplex cinema - this meant that while the capacity had greatly increased it happened too late in the day to publicise it to a larger audience with the result that there were quite a few empty seats in the auditorium. That said, I thoroughly enjoyed the event - there were some terrific little movies shown including a deliciously dark comedy called A Fine Wine which doesn't seem to be available online anywhere yet. My movie was well received and I was complimented for the style of the dialogue which (I'm told) was authentic (the story being set in Victorian times).
I've now also submitted Trichophagia to a three more festivals - Atopic in Paris, Machinima Expo in Second Life, and Animarte which takes place across several locations in Latin America. I should really submit more movies to more events, it's just all the paperwork I can't be bothered with!
A special mention should be made for Machinima Expo though - this is the single most important online event in the Machinima calendar. And although it takes place in Second Life, the machinima that is shown is from across the entire spectrum whether it's SL based, game based, scripted (Moviestorm. Iclone, Muvizu) or a mashup of them all. It really is worth attending to broaden your awareness of what's going on out there.
Final bit of news for today. I've officially shelved the second part of Trichophagia. Yes, I thought you'd be disappointed. But the good news is, I've just completed a new script and have started set building. This movie, takes me in yet another direction - so it's not a bleak dystopian tale, nor a twisted sci-fi. I'll post more about it once there's some real progress (such as completing the voice recording) and I have some screenies to show.
Thanks for reading!
I've now also submitted Trichophagia to a three more festivals - Atopic in Paris, Machinima Expo in Second Life, and Animarte which takes place across several locations in Latin America. I should really submit more movies to more events, it's just all the paperwork I can't be bothered with!
A special mention should be made for Machinima Expo though - this is the single most important online event in the Machinima calendar. And although it takes place in Second Life, the machinima that is shown is from across the entire spectrum whether it's SL based, game based, scripted (Moviestorm. Iclone, Muvizu) or a mashup of them all. It really is worth attending to broaden your awareness of what's going on out there.
Final bit of news for today. I've officially shelved the second part of Trichophagia. Yes, I thought you'd be disappointed. But the good news is, I've just completed a new script and have started set building. This movie, takes me in yet another direction - so it's not a bleak dystopian tale, nor a twisted sci-fi. I'll post more about it once there's some real progress (such as completing the voice recording) and I have some screenies to show.
Thanks for reading!
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